SYSTEM OUTPUT

PROJECT // READY

CASE STUDY / DIGITAL EXPERIENCE

elEconomista.es

Designing editorial products without breaking the reading habit.

UX/UI design, front-end refinement and editorial systems for a high-frequency digital media environment. From news interfaces and newsletters to special publications and the launch of a new healthcare media product.

organization

elEconomista.es · Ecoprensa

ROLE

UX/UI Designer / Employed

duration

2024 - 2026 · 22 months

scope

UX/UI · Editorial Design · Responsive HTML/CSS · Performance · Digital Products

Tools

Figma · HTML · CSS · Photoshop · Illustrator PageSpeed Insights · Lighthouse

status

Implemented & Published

Context

Designing for a newsroom is not designing for a landing page.

elEconomista is a digital publishing ecosystem with continuously changing content, multiple verticals, commercial formats, financial data, newsletters and special publications.


Every interface has to work while editors keep publishing, readers move between devices and advertising, SEO and technical requirements remain active.


Design therefore happens inside a living system rather than around a fixed piece of content.

THE CHALLENGE

Evolve a mature product without breaking what already works.

The challenge was not to replace elEconomista with a completely different visual language.


Millions of reading habits, existing editorial workflows, brand recognition and technical infrastructure were already embedded in the product.


The work had to improve clarity, adaptability and performance while remaining compatible with that system.

DESIGNING INSIDE CONSTRAINTS

The interface could not be judged only inside Figma.


A layout also had to survive real headlines, unexpected image proportions, advertising spaces, mobile screens, publishing tools and existing front-end styles.

real

constrains

high content

density

SHORT EDITORIAL

DEADLINES

seo

ADVERTISING

LEGACY STYLES

RESPONSIVE

BEHAVIOR

performance

accessibility

multiple

departments

existing cms

MY ROLE

To Figma to the published interface.

As a UX/UI Designer, I worked across visual proposals, responsive layouts, editorial components and front-end refinements.


My work included preparing interfaces in Figma, testing them with real content, adjusting HTML/CSS and reviewing published results across devices.


As a junior designer, major decisions and final validation were supervised by the senior design team.

THE WORKING PROCESS

01 — discover



Editorial need Audience

Existing structure Commercial constraints Performance

02 — define



Hierarchy

Modules

Responsive behavior

Navigation

Technical requirements

03 — design



Figma

Components

Real-content testing

HTML/CSS

Iterations

04 — publish



Integration

Responsive QA

Performance checks

Corrections

Maintenance

elEconomista desktop homepage showing its orange navigation, editorial sections and real-estate coverage.
Club eE membership landing page showing benefits, analyst access, digital meetings and subscriber content.

EDITORIAL PRODUCTS AT SCALE

Not one interface, a family of editorial products.

My work moved across different scales: from individual interface elements to recurring newsletters, special publications and complete new sections.


The common problem was always the same: how to organize dense information without losing hierarchy, speed or editorial flexibility.

20+

SPECIAL

PUBLICATION

COVERS

24+

newsletters

16+

NEWS & SECTION

INTERFACES

edition

01

NEW SPECIALIZED

MEDIA PRODUCT

Editorial cover for Historias de la econom?a, combining economic imagery, archival objects and a reader.
Editorial cover for La Granja, with monochrome agricultural photography and orange graphic accents.

REUSABLE EDITORIAL SYSTEMS

Design for the next story, not only the current one.

A media product cannot be designed around one perfect headline or image.


Components need to support different stories, lengths, priorities and commercial needs without requiring a new interface every time something changes.


I therefore worked with reusable hierarchies, modules and responsive patterns rather than closed compositions.

Gaceta de Salud identity banner with a healthcare professional and medical graphics.
Defensa & Espacio section banner featuring satellite and aerospace imagery.
Especial Deportes banner with an athlete and sports-themed illustrations.
Especial Empresa Global banner with a city and international business imagery.
Especial Medio Ambiente banner with environmental imagery and orange graphic accents.
Especial Tecnolog?a banner with technology illustrations and a hand interacting with a digital interface.
Especial Movilidad banner with transport imagery and orange graphic elements.
Especial Turismo banner with travel imagery and a person viewing a city.

PERFORMANCE IS PART OF DESIGN

Beautiful interface that loads badly is bad UX.

Performance was treated as part of the design process rather than a problem belonging only to development.


Images, CSS, layout depth, fonts, advertising spaces and interface structure all affect how quickly and reliably a page reaches the reader.

GACETA DE SALUD

Building a new media product inside an existing ecosystem.

One of the largest projects during my time at Ecoprensa was the front-end design of Gaceta de Salud, a new specialized healthcare media outlet.


The challenge was to give the product enough identity to address a professional healthcare audience while maintaining the structural and visual relationship with the wider Ecoprensa ecosystem.

elEconomista DNA → adaptation → Gaceta de Salud

Gaceta de Salud editorial page showing health news, article cards and medical coverage.

FAMILIARITY VS DIFFERENTIATION

New product. Familiar behavior.

I deliberately avoided designing Gaceta de Salud as an unrelated visual product. The existing Ecoprensa patterns already provided familiarity, technical compatibility and established reading behavior.


The objective was therefore evolution rather than rupture: preserve what users already understood while creating enough character for a new specialist publication.

SPECIAL PUBLICATIONS

Editorial design with commercial constrains.

Special publications introduced a different balance between editorial hierarchy, branded content and commercial objectives.


Layouts had to remain readable and responsive while accommodating specific topics, sponsors and publication requirements.


Some examples are these:

FINANCIAL EDUCATION

SPECIAL

ESG SPECIAL

Mobility Special

Financial and property editorial page showing themed feature sections and article cards.
Long-form elEconomista ESG page with green-accented editorial sections and a sequence of article cards.

RESULTS

22 months designing inside a live publishing system.

20+

SPECIAL

PUBLICATIOns

24+

newsletters

16+

NEWS & SECTION

INTERFACES

edition

01

NEW healthcare

MEDIA PRODUCT

THREE DECISIONS THAT SHAPED THE WORK

01 — EVOLVE, DON'T REPLACE


I evolved existing components and hierarchies instead of imposing a disconnected redesign.


Reading habits, brand recognition and editorial infrastructure mattered more than aesthetic novelty.

02 — PERFORMANCE IS UX


I treated loading, accessibility and technical weight as design concerns because they directly affect the reading experience.

03 — DESIGN SYSTEMS, NOT PAGES


I designed reusable responsive structures because editorial content changes every day.


The system has to survive the next story too.

reflection

What i took from it

elEconomista taught me that designing a large digital product is an exercise in negotiation between different systems.


Editorial clarity, business, SEO, advertising, accessibility, performance and publishing speed are not separate problems.


They all reach the user through the same interface. It changed the way I think about UX: not as designing isolated screens, but as designing structures capable of surviving real use.


If I built the system today, I would document the design system more rigorously, define metrics before launch and preserve quantitative before / after evidence for each major intervention.

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STATUS: PROJECT READY

© 2025 Pabel Stonehenge
Todos los derechos reservados.

© 2025 Pabel Stonehenge
Todos los derechos reservados.

© 2025 Pabel Stonehenge
Todos los derechos reservados.